Shantaram by Gregory David Roberts
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Shantaram by Gregory David Roberts
I wasn't sure whether i should put it in the fiction or non fiction section as I think there is some deliberation on whether this story has been slightly fabricated or not
I got about half way through this book and really started to struggle with it and I think partly because I had a doubt in my mind whether his tale has been exaggerated a fair bit.....be curious to know what others think..
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I tend to give a book 100 pages (200 if it's a big one). If it hasn't grabbed me by then I just put it to the side. Life's too short and there are too many amazing books to be read! Never understood the urge to get through a book regardless of how bad it is.
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Although the above comment is fair, Some of the best books i have read are ones that I tried to stick out till the end. I love a book that's ending makes the story. Obviously it is always better to have a great read all the way through though.MatDatPhatKat wrote:I tend to give a book 100 pages (200 if it's a big one). If it hasn't grabbed me by then I just put it to the side. Life's too short and there are too many amazing books to be read! Never understood the urge to get through a book regardless of how bad it is.
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I’d worried when I began what is, for a slow reader like me, a large commitment of time, that some of the reviewer comments about the novel would prove correct: that it was an over-the-top collection of purple prose. Well, in a way it is. It is over the top in the sense that Bombay (now Mumbai) is over the top, a chaotic, noisy, crowded, sometimes violent city of billionaires and filthy slums, of many religions and just as many languages. In the novel it’s overwhelming at times, but Roberts creates it for us, real and magical, wondrous and believable.
There are times when Roberts’ prose is decidedly purple. He tends to go wandering off into his descriptions of the natural world (it reminded me of James Lee Burke’s Dave Robicheaux series, set in the delta country of Louisiana). Beyond that is his tendency to be very creative in describing people’s eyes. Here’s an example from the book - many of the characters in Shantaram, men, women and children, receive the same treatment:
SHE WALKED INTO LEOPOLD’S at the usual time, and when she stopped at a table near me to talk with friends, I tried once more to find the words for the foliant blaze of her green eyes. I thought of leaves and opals and the warm shallows of island seas. But the living emerald in Karla’s eyes, made luminous by the sunflowers of gold light that surrounded the pupils, was softer, far softer. I did eventually find that colour, the green in nature that was a perfect match for the green in her lovely eyes, but it wasn’t until long months after that night in Leopold’s.
Roberts, Gregory David (2004). Shantaram: A Novel (Kindle Locations 856-863). St. Martin's Press. Kindle Edition.
At first this sort of description is beautiful, but as you continue to read, and the descriptions accumulate, they become a little predictable (not what Roberts will say about the latest pair of eyes, but only that he’ll surely say it). You find yourself skimming over it, waiting for it to end, so you can move on. But then Roberts redeems his writing with another sort of description, that reveals character or ideas. After the description above, for example, he goes on to say:
“And strangely, inexplicably, I didn’t tell her about it. I wish now with all my heart that I did. The past reflects eternally between two mirrors—the bright mirror of words and deeds, and the dark one, full of things we didn’t do or say. I wish now that from the beginning, even then in the first weeks that I knew her, even on that night, the words had come to tell her … to tell her that I liked her.”
If that were all Roberts writes about in Shantaram, it would be widely ignored and soon forgotten. But it’s a big, thrilling book, full of mystery, blood and guts, brave men, beautiful women (and the reverse!)unpredictable twists and turns of plot, unforgettable characters. And above it all we see the protagonist, a fictional version of Roberts himself, trying to figure it all out. What’s the use of living; who, if anyone, can he trust; is anyone truly what they seem? Can a gangster - a killer and a thief - live honorably, even if he can’t live virtuously (and what’s the difference between those two words)? How can we reclaim misused lives and go on? What are our responsibilities to each other?
The biggest question of all, at least for the protagonist, is how to find redemption. On the one hand, he’s a skilled, tough, but honorable gangster, who has found wealth and friendship, not only in the Indian mafia but in Bombay’s slums, its movie industry and its cafe society. On the other hand he’s lived a hard, false, often brutal life and he knows that some of the people he has loved and trusted have proven themselves untrustworthy and incapable of love. For all its satisfactions and pleasures, he’s become tired of living that life. And yet he cannot quite leave it behind.
How wonderful it is to live for a while inside Shantaram’s head (Shantaram, meaning “Man of Peace” is the name a friend’s mother has given him. Is he really a man of peace in some way, despite his often violent life? That’s another of the many questions “Shantaram” offers the reader for consideration.) This is, above all, a novel of people and ideas - but with lots of action! Gang wars, battles with the Soviets in Afghanistan, a stretch in an Indian jail. And there’s weird, wild stuff (to paraphrase Johnny Carson). The Standing Babas - monks who have pledged never to stop standing up; a dancing bear and its two bright blue handlers; a wedding party high up in the open latticework of a high rise building under construction, a stampede of rats...
I'm glad I read this book - nothing quite like it has come my way.
Not to give away too much about the outcome (or lack thereof) but here’s a bit about Roberts’ life, from wikipedia:
“Gregory David Roberts (born June 1952) (born Gregory John Peter Smith) is an Australian author best known for his novel Shantaram. He is a former heroin addict and convicted bank robber who escaped from Pentridge Prison in 1980, and fled to India where he lived for ten years.
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I wish more people would give a chance to this really long book because it really is worth all the time it takes to read.
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The book truly fueled the fire for me to go travel the world
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